ProRes 4444 For video editors like me who try to push FCP as far as it can go, there is now a ProRes codec for working with high end formats (think HDCAM SR or Redcode) or for higher quality when rendering from FCP or other programs, specifically compositing applications. That’s in addition to the two flavors for “normal” editing and finishing-the regular flavor for most projects, and the HQ for higher end quality, which are still included from the previous version.
#Final cut pro 7 Offline#
The LT version is for lightweight deliverables, such as broadcast, while the 422 (Proxy) is specifically for offline editing. ProRes 4444 is designed for highest end work or compositing with alpha channel. In the most compelling new feature of this release, Apple builds on the success of its excellent ProRes codec family by adding three new flavors: ProRes 4444, ProRes 422 (LT), and ProRes 422 (Proxy). The new variations are designed to broaden the codec family’s capabilities into higher-end post production, news markets, and offline editing. ProRes, a high-definition lossy video compression format developed by Apple for use in post production, was introduced in 2007 with Final Cut Pro 6 (FCP).
While there are a few extremely sexy new features in Final Cut Pro 7- among them new ProRes flavors, iChat Theater, and Easy Export that will attract lots of attention-the main focus of this new version seems to be enhancing stability, speed, and productivity. It has been more than two long years since Apple releasedįinal Cut Pro 6 ( ), its flagship pro-level nonlinear video editing app.
0 kommentar(er)
